Creating a Tonal Database (Tone DB)

Achieving a closer colour match between digital and production prints


The nature of production with different inks, substrates and production processes means the tonal breakdown of colours can differ greatly. A solid colour can be exactly the same but as soon as that colour is printed with screened tone and production inks, its characteristics may differ greatly from that of a software’s digital breakdown.


A Tone DB is a colour file which contains the tonal breakdowns of each 100% chip and can contain an unlimited number of colours. Tone DBs can be added to at anytime, and play a vital role in Production Colour Management, because when colours from a Tone BD are used to colour designs in AVA, tonal areas of the design will closely match the production prints.

Preparing the data

You need to create a test cylinder using the step wedge sample file supplied by AVA. (If you already have a cylinder of this type, this can be used instead.)

It should contain at least twenty steps of tone, breaking down from 100% to 0%

Once the cylinder has been made, you need to print a sample of each of your production inks and their ink mixes, under normal production conditions.

Orange 100% colour spectro read and generically broken down by AVA

Same Orange 100% colour but showing how the production breakdown of the orange colour changes hue, going more yellow.

Read the steps for each colour into a new colour file in Coloursys and name each colour. Remember to read the substrate as well.  The step number will be added automatically (_0, _1, _2 etc)

Building the Tone DB

Once the data has been read into a colour file, drag the substrate colour into a colour file of its own.

Delete

Note: The creation of a Tone DB will not work if the substrate chip is in the colour file you are creating the Tone DB from).

  1. In ColourSys,  go to Tone DB Menu > New Tone DB.
  2. Drag the substrate colour into the Substrate box at the top of the window.
  3. Enter the densities of the steps used in the Tone Steps box at the bottom of the window, for example; 0 3 5 10 15 20 etc, then go to File Menu > Save. Name the Tone DB something sensible (eg including the name of the substrate or company).
Delete

Note: You must enter the tones in the order they appear in the colour file.

  1. Go to Tone DB > Insert Colours from Document.
  2. Select the colour file that contains your measurements from the pop up bar and click OK.
  3. A message will show you how many colours have been replaced and how many have been added to the Tone Database.
  4. Select Optimise Model. The software will make some calculations and enter a dot gain curve in the graph. This decides the n value to be used. The c value is estimated by the user based on the production type it is being used for. For example, n: 10 and c: 0 are often used for transfer printing, while n: 8.5 and c: 0.5 are often used for gravure printing for wallpaper.
Delete

Note: Any colour used in a design in AVA which is not included in the database will use this dot gain curve on its breakdown. So even if a production colour has no real breakdown data, it will take the advantage of a production dot gain simulation when the database is set in the Overprint Preference.

  1. Go to File Menu > Save and save the Tone DB in User > Library > Application Support > AVA > Profiles > Production.
  2. Close the file.
  3. In Coloursys, go to File Menu > Open and select the ToneDB file you have just saved.
  4. The Tone DB will open as a colour file with the corresponding colours shown in it, including the substrate colour.

If you wish to see the tonal breakdown of the chips, select ToneDB > Chips to Tones:

To undo this action, select Tones > Chips from the ToneDB menu.

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